On Friday 25th April 2025 my seventh solo album âHouse Of Storiesâ reached #2 in the Official UK Independent Albums Chart.
I recorded and released the album from my attic home studio The Launchpad in Nottingham through emails, social media posts and Facebook ads. No manager/label/press/radio.
This sort of thing shouldnât really be possible. Music fans are absolutely amazing.
The next day I walked out of an art workshop in floods of tears and stood by a lake watching a Eurasian Coot dive for treasure to make a nest with. The plucky little bird dove and dove, bringing up all sorts of interesting bits and bobs clasped in its beak. A slice of slippery algae, bright green; a thin branch three times its width; a clot of unidentified mush dripping with water. Sure in its choices, the bird added each new piece of treasure to a floating mass, then swam away in a big circle, returning to dive - collect - add, dive - collect - add.
I was fully aware of the metaphor at the time, but it didnât get me back inside the building.
I wasnât ready to dive back into my memories to create a map for an art workshop, however engaging and fun the facilitator was (and she was), and however supportive the environment was (and it was). The well was empty of stories; I had only tears to give.
I didnât want to make a scene, so I left quietly to cry it out, calm down and return to class. But I couldnât calm down, and I couldnât return.
Younger Me would have been horribly embarrassed; Current Day Me knows when sheâs in the wrong place and gets out as fast as possible, as politely as possible. Current Day Me does not hide the tears. Current Day Me cannot hide the tears.
The Sleeper song âWhat Do I Do Now?â popped into my head when I started thinking about writing this, even though only the title is relevant. Itâs a brilliant song, much loved to this day by me, but Iâm lucky that being stuck in a bad or confusing relationship is not my current experience.
Gratitude is a helpful emotion to centre at times like these.
My current experience is a mix of emotions. Iâm not trying too hard to figure it out; it feels smarter to just let the feelings wash over and through me while trying to get back into good healthy habits and making semi-sensible plans for future creativity.
I donât know if there are any songs about this particular feeling of post-big-project comedown, because whenever Iâm in one Iâm not really up for writing a song about it and, later on, in reflective songwriting mood, I can already project that I will find the topic far too mundane / indulgent / entitled to reference.
After the Big Chart News I had some dinner at home and went to bed. I had been sleeping terribly in the weeks leading up to the album release, which is very unusual for me, and that may have influenced what happened with the art workshop and the incessant crying.
I felt much better when the requirement to suddenly create something new was removed. Tim took me home and we sat on the sofa together. The following week we went on holiday to Naples, and had our minds blown by the busy, colourful, gritty city.
Now Iâm back, somewhat rested, and I have to keep going. Because thatâs the goal.
I make music and share it so I can keep making music. I make videos and I write to share my experiences as part of my creative practice, which is what drives me to continue making music.
Itâs weird how you can focus so intensely on something for so long â in this case a full year, pretty much â and then it feels so suddenly over and done with. The album only came out four weeks ago, and it did really, amazingly well, but now it feels like thereâs zero interest in the new songs, everyoneâs moved on to something else, and I have to quickly summon up new things to share.
Of course I donât have to do anything1 â but as an artist I get to do whatever I feel like doing. And thatâs a gift, and I am grateful.
I last wrote a new song last July - âSpace, Manâ. I donât want to let it be a full year til I write another one. So, I wonât!
Itâs time to don the lab coat again for musical experiments. And this is where you will hear them first.
And if you havenât heard âHouse Of Storiesâ yet, I made this nerdy microsite to introduce it to you.
Thank you for reading.
Love,
Laura xxx
I mean, I do â this dream job is my only job, and I have to continually figure out how to keep making ends meet, and thatâs not always a given â in this context I mean no-one is forcing me to make songs or market them and itâs a great privilege to get to do so x
Just in my own experience, I have found the cyclical nature of making stuff and then putting it out in the world to be pretty grueling. I imagine that's greatly amplified when the project is as public and with as long of a timeline as making an album is. FWIW, I'm an obsessive-type listener, so when someone puts out an album I love, I continue to care greatly about the songs for months (or sometimes years) after its release. That's been the case with HOS, and I am sure I am far from alone in this. Just because you can't see us driving around belting the lyrics to "In the Light Sometimes" or getting chills from "Disco Loadout" doesn't mean it's not happening.
You do have to take the time you need to recover and it is different for all of us. Over the last 15 years I have been involved with cyclists who have raced around the world or across continents. It has been their focus for so long that when they reach the finish line they are lost. What now? Some have suffered with depression. You are not alone.